Here is a recent portrait of Charlotte Graham of Jan Sewell Design.
Just a reminder that this blog of the editorial, corporate and commercial photographer Daniel Sheehan, has moved over to the website and will not be updated on a regular basis. This old blog will remain up for the time being.
Perhaps this demonstration of convergence will be where we are going in the future of magazines. I do not know for sure but it is interesting to see what people like Alexx Henry is up to using state of the art high def cameras like the Canon 5D Mk II and the RED camera system.
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Photographer Alexx Henry and his team show you how a magazine might look in the not-so-distant future with the October cover and spread for Outside Magazine. The living portrait of the triathlete Chris Lieto is photographed using the revolutionary Red One cinema camera and the 5d Mark II, for a moving magazine that looks right out of a Harry Potter movie.
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Kenneth Jarecke has a photo essay on the Montana State Fair and his thoughts on the comparison between cowboys and photojournalists up on the New York Times photo blog Lens. Some of the comments after the essay are a good read on the subject too.
“While watching the 4-H youngsters going about their business at MontanaFair in Billings this month, I was struck by a parallel. Here I am in 2009, at a fair ground: a photojournalist, making pictures of cowboys in every direction I look. Don’t any of us know that none of us are supposed to exist?…
[…]The publishing industry is suffering through its killing winter right now. Many of the big outfits I’ve worked for in the past won’t survive. That doesn’t mean photojournalism will disappear, it just means that we’ll have to pay for it a different way. As more publications use the McDonald’s philosophy of giving away the hamburger and making money on the fries and soda — but then failing to charge for any of it — photojournalists will have to create a new market for their work.
[…]Professional photojournalists have only their eye, their experience and their work ethic to create lasting images. It has nothing to do with what kind of lariat they’re carrying.
[…] if you can’t make a great picture in your own backyard, it isn’t going to happen anywhere else.”
Ken has an extended edit of the photoessay back on his own website here.
Blue Angel pilots fly in a tight formation over Lake Washington on a hot summer day. The U.S. Navy Blue Angels are back in Seattle again performing their amazing air show routine in conjunction with Seattle’s annual Seafair celebrations. Some of their movements are astonishing to watch.
As Michael Jackson‘s memorial service is being held in L.A. as I write, I felt moved to go to the files and pull up an old negative from the time I got to see him perform and photograph him. We were all so much younger, and his music was a dominant note on the soundtrack of our lives. He was everywhere on the radio and MTV. It is almost incredible to remember how really big he was then. Seeing him and photographing him on assignment was a big deal. He was a major force and influence in popular music.
Michael Jackson performed at the Gator Bowl Stadium in Jacksonville Florida before 45,000 people for each night for three nights July 21st, 22nd, 23rd, 1984. I was there on July 23rd on assignment to photograph him for the Black Star Photo agency. It was a big news story everywhere Michael went.
He was on his Victory tour at the top of his game. He performed with his brothers Jackie, Jermaine, Tito, Marlon, and Randy. The tour reunited all Jackson brothers including Michael, who had just released the highly successful Thriller album in 1982, two years previous to the tour, and Jermaine, who had not recorded or toured with his brothers since they left Motown in 1975. The Jacksons’ Victory Tour was the group’s final concert tour of the United States and Canada.
The tour commenced on 6 July in Kansas City and concluded on 9 December in Los Angeles. The tour consisted of 55 concerts to approximately 2 million fans. It was named after the newly released Jacksons’ album Victory although none of the songs from that album were on the tour’s set list.
The set list consisted of songs from the Jacksons albums Destiny and Triumph, but not the Victory album. There were also songs on the list from Jermaine’s and Michael’s solo careers. Michael’s albums Off The Wall and Thriller were both represented.
Here is the set list.
“Wanna Be Startin’ Somethin'”
“Things I Do for You”
“Off the Wall”
“Human Nature” (with “Ben” introduction)
“This Place Hotel”
“She’s out of My Life”
“Let’s Get Serious”
“You Like Me Don’t You”
“Tell Me I’m Not Dreamin’ (Too Good to Be True)” (duet with Michael Jackson)
Jackson 5 Medley: “I Want You Back” / “The Love You Save” / “I’ll Be There”
“Rock with You”
“Workin’ Day and Night”
“Shake Your Body (Down to the Ground)”
The tour reportedly grossed $75 million and set a new record for the then-largest grossing tour. Michael Jackson donated all of his proceeds ($5 million) from the tour to three charities, including the T.J. Martell Foundation for Leukemia and Cancer Research, The United Negro College Fund, and the Ronald McDonald Camp for Good Times.
There was one other reason for the concert to be memorable. They rounded up all of the photographers and video folks and put us in a fenced in area about 40-50 yards away from the stage.
Normally covering a concert the press would shoot from a spot just in front of the stage, so it was a little dismaying to find out how far way we were to be. A 600mm lens with an extender was kind of the only way to get a decent sized image at theses shows. We were all a little miffed. Dennis Hamilton of the Florida times Union newspaper brought along a bag of white gloves which we put on and posed for this photo below. Dennis is in the top row center and I am just to his right. Carol Guzy, three time Pulitzer prize winning photographer at the Washington Post, is third from left. Will Dickey of the Florida Times Union is to the right of her. And down in front is Tom Burton from the Orlando Sentinel. Just to the right of Tom is Don Dughi, of UPI. and with the gloved hand sticking out, is John Coffeen of the Tampa Tribune. Can not recall who every one else is. If you recognize them let me know in the comments. I was just reminded of the pyscho Public Relations woman who kept shouting at us to point our camera at the ground after we shot some photos. We were only allowed to shoot a couple of songs as I remember it.